Monday, April 22, 2019

Tuning Slide

Weekly Reflections on Life and Music

Life is about rhythm. We vibrate, our hearts are pumping blood, we are a rhythm machine, that's what we are.
— Mickey Hart

Mickey Hart, one of the percussionists with the Grateful Dead has written much about rhythm and its location at the very center of our lives. It is not a pun to say it is the heart of who we are. To be in touch with the rhythm of our lives is one of those tasks that we can never end. The give and take, the pulses of daily living, the ups and downs of emotions can all fit into a rhythm. Many experiments have shown that different sources of rhythm will fall into sync with each other. Rhythm is one of the basics of music itself, and is therefore, I think, music is one of the best ways to learn about the importance of keeping the beat.

For the past month I have been pulling together the ideas of music and life, how they interact and what one can teach us about the other. Last week I raised the importance of jazz in this process. All musical styles can and will change our lives if we are open to them. Each of us just responds in different ways to different styles. For me- and for many- jazz is one of the most effective teachers of life and rhythm, timing and pace.

Through improvisation, jazz teaches you about yourself. And through swing, it teaches you that other people are individuals too. It teaches you how to coordinate with them.
— Wynton Marsalis

Back at the end year one of the Tuning Slide I had a post that dug into the writing of Wynton Marsalis in his book, Moving to Higher Ground. The focus of that was the idea of “swing,” one of the historically important- and still living- genres of jazz. Jazz musicians will use the generic word “swing” to describe what happens when a piece falls into its intended groove and moves beyond a simple sum of its parts. When a song “swings”, when a musician is “swinging,” they are in the best of all possible musical worlds. You are not just you, but you are, as Wynton described it above, coordinating with the others. It is that coordination that makes it work! This is not just in jazz, by the way. Bach may have produced some of the best music to "swing" to in all of history!

Here is some more of what Marsalis says in the book:
Jazz is the art of timing. It teaches you when. When to start, when to wait, when to step it up, and when to take your time- indispensable tools for making someone else happy….

Actual time is a constant. Your time is a perception. Swing time is a collective action. Everyone in jazz is trying to create a more flexible alternative to actual time. [Emphasis added in both quotes]
Swing can be to a great extent what you accent and how you do it. Different tempos, different tonguing, different rhythms go together to make the music work. It means listening to each other and learning to flow together.

But something always seems to get in the way. In the brass quintet I play in we, like every musical group, can have great difficulty playing in a consistent tempo. There are all kinds of obstacles. Listening to a recording of a rehearsal I found that different ones of us can cause a tempo change within a beat or two if we

◦ Come to a change in dynamics from louder to softer.
◦ Come to a change in instrumentation adding a new tonal sound or removing one.
◦ Make a mistake and let our mind wander into self criticism
◦ Play something better than usual and let our mind wander into how good it sounds

Music teaches us how to deal with change, anticipating it and knowing how to move through it without losing who we are and what we are doing. Something we can always depend on is change, so if we learn the skill of flowing with and through change, no matter what the source, we can discover more direction in our lives.

Rhythm is sound in motion. It is related to the pulse, the heartbeat, the way we breathe. It rises and falls. It takes us into ourselves; it takes us out of ourselves.
— Edward Hirsch

Wynton Marsalis applies all this to our daily lives. Swing helps us in:
1. Adjusting to changes without losing your equilibrium;
2. Mastering moments of crisis with clear thinking;
3. Living in the moment and accepting reality instead of trying to force everyone to do things your way;
4. Concentrating on a collective goal even when your conception of the collective doesn’t dominate.
In the end, Wynton Marsalis says, swing demands three things:
1. Extreme coordination- it is a dance with others inventing steps as they go;
2. Intelligent decision making- what’s good for group.
3. Good intentions- trust you and others want great music.
The most prized possession in this music is your own unique sound. Through sound, jazz leads you to the core of yourself and says “Express that.” Through jazz, we learn that people are never all one way. Each musician has strengths and weaknesses. That is where we each find first our voice and then our song. When we do that we fall into rhythm with our lives and the world, giving back to others the gifts of our own lives.

So then next week we move to finding our “voice” so we can then learn to live our “song.” This may be the greatest gift music has to offer us.

Until then, keep the beat, watch the rhythm, and keep swinging.

Note: All Wynton Marsalis quotes are from the book:
Moving to Higher Ground: How Jazz Can Change Your Life by Wynton Marsalis and Geoffrey Ward. 2008, Random House.

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